*my (anti-)metaphysics… —toward an explanation of reading Nietzsche…

*approaching plausibility (at least).
—on my anti-metaphysics…
(—a brief pause-aside before beginning.
(by way of context).).

*so. …

(hell).

 

—I’m aware that, in what follows, I’ve done very (—precious) little to provide an introduction to Nietzsche’s philosophy (more broadly. speaking) and to establish the context of why it is that I am reading Nietzsche at all. …

*(—a friend of mine complained recently of this blog-writing project that he would now have to go away and read Nietzcshe before reading the posts…

—I hope that that’s not actually the case…).

—in a way this will (itself) have been (a sort of) an introduction to Nietzsche: …

 

—in what follows here, I will discuss some of his juvenilia alongside his earliest published text—The Birth of Tragedy—and some of his early unpublished writing (—the ‘On Truth and Lies in a Nonmoral Sense’ essay) and try to demonstrate the way in which these, in fact, contain the seeds (so to) of his later, mature (?) works—especially his later formulation of ‘the will to power’

(and the way in which to read these earlier and later Nietzschean ideas-formulations side-by-side illuminates a… what? a—thread (for want), running through the whole of Nietzsche’s corpus, of an opposition to, and qualification of, the philosophy of Arthur Schopenhauer, and in particular Schopenhauer’s metaphysics) . …

…and this is, in essence, actually why I’m starting where I am (—in this way): …

—.

—I want to be able to draw out the anti-metaphysical (—anti-Schopenhauerian)… nature (?—sic) of a text all-too-often read as metaphysical and Schopenhauerian (—of The Birth of Tragedy). …

—in order, when the time comes, that when I turn my focus to the neo-classical Modernists (—to Joyce, T.E. Hulme, Ezra Pound,—the Imagists…) that I’ll be able to demonstrate (in a way approaching plausibility) that this same anti-metaphysics is at stake in, and extremely important to any understanding of, the way (ways?) in which they frame and discuss art and artistic inspiration…

but this is not (simply) the act of open-hearted, devil-may-care intellectually generous scholarship that it may at first naturally appear,—oh no my rightly, if slightly gratingly, cynical reader…

oh dear me, no.

no.

(good Christ!)

by way of a sort of a (what?)—flimsy confession here: …

—I do have an agenda…

in the first fragment I posted here *(—*’the fold of the artist — by way of context’… ) I laid out, broadly, the wider context for all of this—this project

(—flogging the increasingly dulled, cold corpse of the inadequate, work-shy nag that was my—to me—failed doctoral thesis…). …

 

 

—I want to go back to that here (—briefly.—to explain (to you)…). …

 

 

*—in the end, the anti-metaphysics here is my anti-metaphysics…

—when I was young

(—too young,—and far too naïve, sensitive, and sheltered to understand—to appreciate—what was truly going on, and (perhaps) how truly (heart-breakingly)—small. … —how ordinary and… insignificant it actually was (and isn’t that always one of the hardest, most uncomfortable portions of grief—?…)),

—I lost (no. … —I didn’t lose… —she died) someone who, to me, represented everything that faith was meant—ought—to be (—have been)…

 

 

and when she died (when she was gone),… —I realised that I had never (truly) had faith—in God.

(—no real, substantial (meaningful) faith-belief in an—‘other world’…

(beyond, perhaps, a vague and quietly nagging ingrained remnant of speculative superstitious anxiety)…).

 

—that I had had (a sort-a form of) faith (if any) in her. …

 

 

—that my experience of the… religious (sic.—the Christian—protestant-Anglican (—High Church),… —of God, had, in essence (in reality) been of the experience (—the pathos, for want.—the effect) of the music. …

—of art. 

 

(and, after she was gone, the attempt—to have faith.—to correspond (to be: … —orthodox (?—sic.—the ritual-the motions))… —fell away, and appeared as… low, and stupid, and contemptible even (in a way)… —from the position of the after (outside-outwith) (—to me)… ).

 

 

and so, …

 

—in part this will have been about (—to articulate) that always already absence, then, of faith (for me) *(—the death of God)…

*and, in part (—but,—in the greater part (—?)),…

—this will have been an attempt to liberate myself from the (ingrained-seeming) prejudice (—prejudices).—the bias (?).—,… —the… loaded, melodramatic (histrionic?) desire to believe that that event truly did bear some sort of broader,—universal,… *—moral (?) siginificance(-meaning). …

(…

—to elevate it (have elevated), then, to a transcendent status

(via-by a—semi-conscious—effort). …

—and to resent the rest of the living world for not recognising (—cognising),—having recognised that significance, and altering its self-perception (—world-view), and bearing (—demeanour) accordingly…

*(—to have to stop-to pause. and mourn. and to understand—to appreciate its significance and meaning (—for me)…

(—and I (still) think that you will understand that (—that feeling-sentiment), em… )

… ).

 

*… —the elevation, then, and (that) strange moral claim…

(—moral outrage. … (—?).). …

 

*—my ‘metaphysics’.

(—the prejudice.

—of the *metaphysical foundation (truth) of my desire to have felt that her death carried absolute (—undeniable) meaning and significance, and of my resentment against the seeming incomprehension (ignorance) of the living world…).

and I found all this in Nietzsche.—explained (—clarified.)…

the death of God. … (—the always already absence of faith). …

 

—the integrity of the intellectual conscience necessary in its wake. … —to bear its wake, and to respond honestly (truthfully) to it (—without turning away, or seeking solace or substitution for the religious object lost )…

 

—the denial of plausible (legitimate) metaphysical grounds for-to objects—matter,… —the spirit (—soul),—the subject,… —the human… in the wake of the loss of the metaphysical (—of God)…

 

—the experience of music. …

—all articulated there,—in Nietzsche’s works…

 

and all that was needed was to fully grasp and comprehend his works(-ideas-philosophy)…

*—my anti-metaphysics…

(a… violence against myself, then.

—against being at the mercy of my prejudices…).

 

*            *            *

 

and so,…

 

this will have been an attempt to ground,—to (begin to try to) build an intellectual foundation for my anti-metaphysics

(—for my doubt-cynicism and scepticism (as I see them)…).

 

… —to understand (have understood) Nietzsche’s anti-metaphysics, and to demonstrate that it is already at stake in one of the most crucial and (to-for me) misinterpreted concepts-terms in The Birth of Tragedy

*(what follows represents a lot of sarcastic damage done to the first chapter of my doctoral thesis (as was)…

—I’ve made changes, but the original argument remains, in its substance…).

 

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2 thoughts on “*my (anti-)metaphysics… —toward an explanation of reading Nietzsche…

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