*—towards a reading of Lacan’s ‘The Mirror Stage’. … —PART II. on ‘space fear’, & the ‘ideal’. …

 

*PART II. —on ‘space fear’ & the ‘ideal’. …

Why Lacan & why the real… —? —Introduction to the reading group.

Introduction to Lacan: brief notes from a lecture on Lacan. …

Outline of a reading of ‘The Mirror Stage’.

*Mirror Stage I.—the infant, the mirror, & the nature of the image.

*the ‘mirror stage’.
(—a brief summary of a reading so far, then). …

 

 

At a certain age, or stage of physical and psychological development (rather),… not yet having developed instrumental intelligence, or indeed physical independence,—the-an infant encounters a specular image of their own body in a mirror *(—mirrored surface. … thus—reflected.). …

 

… —the image presents the infant’s (—the subject’s) body to it in-through-as the form a total ‘outline’ (so to speak. … —a contour)… —it’s presented, then, as a gestalt: —a unity,… —more than the sum of its (manifold) parts (or—quanta). …

 

The infant becomes transfixed by-with the ‘total form’ in-of this specular image of the body, then, which mimics their own movements.

 

—The infant(/subject) recognises—(that is) validates and identifies itself with—the image.  

 

 

—It seeks to struggle free of the constraints presented by the adult (—the parent/guardian/carer), or its walker/carrier.

 

—to get closer to *(—to be alone with… —?) the image, and to try to *fix the ‘total form’ in-of image indelibly (—finally) in its mind. …

 

(That is,… )—The subject attempts to appropriate the image to itself (—to its physical and psychical life). …

 

 

*—The ‘total form’ of the image of the body in the mirror, however is a fiction.

 

 

—It’s constituted in the moment of the ‘mirror stage’, and has no existence, either prior to, or beyond (without-outwith) it. …

 

—it is a *mirage. … —(thus) an illusion (or,… —a trick of the light (so to) ),—the desire for identity with which is spurred (I’d argue at least) by a desire,… —a *need,… —an unrealistic and (ultimately-finally) unrealisable hope,—for fixity *(—for stasis). …

 

*… —The mirror stage represents an attempt to wrest (the fiction of a) fixity-stasis (—peace and security) from the chaos of an underlying (—pre-linguistic and (therefore) pre-egoistic—?) flux of movements: of and within the subject (—psychological and bodily), and in(-within) its environment (surrounds-environs).

 

 

*an—awkward gesture (perhaps). …

 

I want to move on, by way of a sort of an aside (I s’pose) here, to consider what is meant by, and what is at stake in (-within) Lacan’s referring to the ‘mirror stage’ as revealing (or,… —referring the ‘mirror stage’ to the revelation of) an *‘ontological structure’. …

 

*… —I want to look at, and to try to define, the nature of what initially at least, appears to be a pre-linguistic and pre-egoistic flux; the nature of, and relationship between the ‘illusion’-mirage and the ‘ideal’; and what, finally (if anything) might be said to precede the mirror stage and to prompt it.

 

 

… —Over on(-in) the main thread of this blog: *—The fold of the Artist, which I’m adapting from material from my doctoral thesis on artistic inspiration and the figure of the artist in the works of James Joyce and Friedrich Nietzsche *(—in an extremely pretentious and foolhardy attempt to develop my own theory of art), I’ve already posted some work-material looking at some of these questions.

 

 

*—I’ve done some (—preliminary, and really, honestly, quite crude, partial, and… dilettantish) work on subjectivity, the emergence of the ego (= “I”) from language and an underlying pre-linguistic flux, in relation to Nietzsche’s early writing, and especially The Birth of Tragedy and the ‘On Truth and Lies in a Nonmoral Sense’ essay.

 

—I’ve compared Nietzsche’s treatment of these questions in particular to the philosophy of Henri Bergson: … Bergson’s conception of language and/as the fiction of fixity in space and in-of time, the flux of ‘duration’, and ‘intuition’ (as philosophical method).

 

 

*—As I mentioned back in the more general introductory post to this reading group,… —I’ve only taught on Lacan,… —I’ve never actually engaged, directly and in-depth, with his work in my own studies – thesis. …

 

Nevertheless,—… for a long time-while now, I’ve had a… sense (sic) that Lacan *(and, in this instance, his account of ‘the mirror stage’) actually frames the problems, philosophical questions, ideas and concepts I found myself drawn to, and working on, in Nietzsche and Bergson (—as a way of framing my reading of the aesthetic theory in Joyce’s early fiction, and Modernist aesthetics and poetics more widely … ),—more clearly and in-with more depth. …

 

*… —the work I’ve already done, then, might help frame the way I want to read ‘The Mirror Stage’ (—the mirror stage) here, and, in a way,… —reading Lacan might help me (finally) to finish (or, at the very least, to address some of the issues and problems I had with) my doctoral thesis.

 

 

So,…

I want to crave you indulgence here, if you’ll allow me, fellow reading group readers, while I draw on some of the ideas I’ve already worked on (elsewhere) and some of the material I’ve already produced. …

 

 

*—in a series of shorter posts here, then,… I want to try to summarise, and to… fuse-bring together material from my doctoral thesis, and latterly the main thread (so to) on-of this blog—on Nietzsche and Bergson. …

 

*—Nietzsche on the intellect, language, the ‘I’ as fiction, and ‘intuition’:

… —examining the intellect, language, ‘intuition’, and account of the fiction of the ‘I’ in (—from early to later) Nietzsche.

 

 

* the Undivided Continuity of States.—‘analysis’, ‘duration’ & ‘intuition’ in Bergson:

… —examining ‘analysis’, language, ‘intuition’, and flux in Bergson’s philosophy.

 

 

What I’m interested in here are the… parallels (for want) in the accounts of language,… —thinghood (so to), and subjectivity (—the “I”. … ) as fictitious (—artistic, after a fashion) projections… —impositions of order on the underlying flux of an undivided continuity of ‘states’, between Nietzsche, Bergson, and Lacan.

 

 

*—More importantly (for the current reading of ‘The Mirror Stage’),…

 

—I’m interested in the question of what it is that *prompts these… impositions.

 

 

*… —I’ve been (ridiculously slowly and gingerly) working my way back through, amending and (hopefully) developing my work on and reading of Modernist poetics and aesthetics in my doctoral thesis, over on the main thread of this blog. …

 

—in what follows here,… I want to jump slightly ahead of myself (so to), and—in laying out my reading of the origins and the structure of the mirror stage (…)—to draw on a key idea from the work of the Modernist critic, poet, and aesthete T.E. Hulme,… —an idea which he himself adopts(-appropriates) from the work of Wilhelm Worringer: …

*(—and so,… —I’ll adapt-be adapting here, some material from my doctoral thesis, as well as some material which I wrote (from the point-of-view (so to) of my protagonist) for my first novel: Notes of a Vanishing Quantity *(—which I’m still trying, and failing, to publish, and which my thesis and its adaptation in this blog, are intended as a kind of a… companion piece), and which I earlier adapted for the blog for an ‘ early C20th political writing’ reading group of which I was a part under the title of: towards an Ethics of Friendship. … ).

 

*… —I want to examine the origins of the ‘mirror stage’—in-as a response to, following Hulme and Worringer, I’ll characterise here as

 

*—‘space fear’. …

 

 

—This, I hope, (in ways that I want to come back to and to clarify and develop later) will lay the groundwork for a reading of Lacan on ‘primary narcissism’ in (-of) ‘the mirror stage’.

 

Advertisements

4 thoughts on “*—towards a reading of Lacan’s ‘The Mirror Stage’. … —PART II. on ‘space fear’, & the ‘ideal’. …

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s